Italian 1480-1556 Lorenzo Lotto Galleries In this last period of his life, Lorenzo Lotto would frequently move from town to town, searching for patrons and commissions. In 1532 he went to Treviso. Next he spent about seven years in the Marches (Ancona, Macerata en Jesi), returning to Venice in 1540. He moved again to Treviso in 1542 and back to Venice in 1545. Finally he went back to Ancona in 1549. This was a productive period in his life, during which he painted several altarpieces and portraits : Santa Lucia before the Judge, 1532, Jesi, Pinacoteca comunale The Sleeping Child Jesus with the Madonna, St. Joseph and St. Catherine of Alexandria, 1533, Bergamo, Accademia Carrara Portrait of a Lady as Lucretia, 1533, National Gallery, London. Holy Family with SS Jerome, Anna and Joachim, 1534, Firenze, Uffizi Holy Family, ca 1537, Paris, Louvre Portrait of a Young Man, Firenze, Uffizi Crucifixion, Monte San Giusto, Church of S Maria in Telusiano Rosary Madonna, 1539, Cingoli, Church of San Nicolo Portrait of a Man, 1541, Ottawa, National Gallery of Canada Bust of a Bearded Man, 1541, ascribed, San Francisco, Fine Arts Museum The Alms of Saint Anthony, 1542, Venezia, church SS Giovanni e Paolo Madonna and four Saints, 1546, Venezia, Church of San Giacomo dell??Orio Portrait of fra?? Gregorio Belo da Vicenza, 1548,New York, Metropolitan Museum Assumption, 1550, Ancona, church San Francesco alle Scale The Crossbowman, 1551, Rome, Pinacoteca Capitolina Portrait of an Old man, ascribed, ca 1552, Saint Petersburg, Ermitage Presentation in the Temple, 1555, Loreto, Palazzo Apostolico A Venetian woman in the guise of Lucretia (1533).At the end of his life it was becoming increasingly difficult for him to earn a living. Furthermore, in 1550 one of his works had an unsuccessful auction in Ancona. As recorded in his personal account book, this deeply disillusioned him. As he had always been a deeply religious man, he entered in 1552 the Holy Sanctuary at Loreto, becoming a lay brother. During that time he decorated the basilica of S Maria and painted a Presentation in the Temple for the Palazzo Apostolico in Loreto. He died in 1556 and was buried, at his request, in a Dominican habit. Giorgio Vasari included Lotto's biography in the third volume of his book Vite. Lorenzo Lotto himself left many letters and a detailed notebook (Libro di spese diverse, 1538-1556), giving a certain insight in his life and work. Among the many painters he influenced are likely Giovanni Busi  Related Paintings of Lorenzo Lotto :. | The Alms of St Anthony | The Mystic Marriage of St. Catherine | Susanna and the Elders | Penitent St Jerome | The Deposition |
Related Artists:
Eastman Johnson
American portrait and genre painter, 1824-1906 American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects
John Charles Dollman
British, 1851-1934, He was an English painter and illustrator. Dollman was born in Hove on 6 May 1851 and moved to London to study at South Kensington and the Royal Academy Schools, after which he set up a studio at Bedford Park, London. He exhibited at the Royal Academy from 1870 to 1912, and was elected RWS (Member of the Royal Watercolour Society) in 1913. Dollman was also an illustrator, working in black and white or colour for magazines such as the Graphic during and after the 1880s. Some of his early work has been said to have influenced Van Gogh . A central theme was ambitious mythological pictures such as a Viking Foray, a Viking horde entitled the Ravagers, The Unknown (1912), featuring a girl surrounded by chimps and Orpheus and his Lute with Lions. He also produced bold compositions of animals and people such as Robinson Crusoe and His Man Friday, Polo and Mowgli made leader of the Bandar-log (1903) . His best known work is possibly A London Cab Stand (1888) , focussing on a group of horses in a stormy scene . He composed at least three variants of this picture, and there are other instances where he made copies or near-copies of individual pictures. In the 1890s he painted pictures of soldiers, and some less well regarded genre pictures of people with animals. He also painted wild animal pictures without attempting any narrative content . Dollman's works are in the collections of various galleries. The Immigrants' Ship (1884) is in the Art Gallery of South Australia, Adelaide . 'The Ravager' is owned by the Trustees of the Royal Watercolour Society, London, [8]. A version of The Unknown is in the Laing Art Gallery, Newcastle. A London Cab Stand is in the London Museum. A Dog's Home, Table d'Hote (1879) is in the Walker Art Gallery, Liverpool , and During the Time of the Sermonses (1896), an odd picture of a pair of religious people approaching two golfers, is in the collection of the Harris Museum, Preston , while 'Famine' (1904) is at the Salford Museum and Art Gallery Dollman died on 11 December 1934, aged 83.
Raimundo Madrazo
(1841, Rome - 1920) was a Spanish realist painter. He studied painting under his father, Federico de Madrazo, and at the School of the Beaux Arts in Madrid. After 1860 he lived mostly in Paris, where he studied under L??on Cogniet. His remarkable technical ability made him a highly successful portrait painter in a Salon style.